National Museum of African American History and Culture Announces
Walk-Up Weekdays in January and February
The Smithsonian’s National Museum of African American History and Culture has announced Walk-Up Weekdays in January and February. Individuals may enter the museum on a first-come, first-served basis Monday through Friday for the months of January and February 2019. Timed-entry passes for individuals will only be required on Saturdays and Sundays. Walk-up entry on weekdays is a as part of a continuing pilot to provide visitors unfettered access to the museum.
On Wednesday, Nov. 7, at 9 a.m. ET, the museum will distribute advance timed-entry passes for Saturdays and Sundays Feb. 2 and 3, 9 and 10, 16 and 17 and 23 and 24. Walk-Up Weekdays will continue in February 2019 and timed passes will not be distributed for weekdays (Mondays–Fridays). Individuals may enter the museum on a first-come, first-served basis on weekdays in February. Same-day online and walk-up passes will not be available nor necessary on weekdays in February. Group passes are required every day for groups of 10 or more. Timed passes for January have already been distributed and will be required only on Saturdays and Sundays in January.
Timed passes for every day in November and December have already been distributed. The options for visitors are same-day online passes and walk-up passes that will be available most afternoons in November and December.
To access timed passes visit nmaahc.si.edu/passes or call 844-750-3012.
About the National Museum of African American History and Culture
The National Museum of African American History and Culture has welcomed more than 4.5 million visitors since opening Sept. 24, 2016, on the National Mall in Washington, D.C. Occupying a prominent location next to the Washington Monument, the nearly 400,000-square-foot museum is the nation’s largest and most comprehensive cultural destination devoted exclusively to exploring, documenting and showcasing the African American story and its impact on American and world history. For more information about the museum, visit nmaahc.si.edu, follow @NMAAHC on Twitter, Facebook, Instagram and Snapchat—or call Smithsonian information at (202) 633-1000.
Opening night of “Black Metropolis: 30 Years of Afrofuturism, Comics, Music, Animation, Decapitated Chickens, Heroes, Villains and Negroes” took place at the Hammonds House Museum on Friday October 12, 2018. That evening Afrofuturist and visual artist, Tim Fielder, engaged in an artist talk.
Pictured above are a few notes taken during Tim Fielder’s artist talk. I will get back to this shortly, but first I want to offer a few thoughts developed after examining the Black Metropolis exhibit.
In the brochure pictured on the right, Tim Fielder provides an exhibit manifesto. He describes BLACK METROPOLIS as an “emotional ideal, not necessarily the physical construct…where Black people can be anything or anyone they choose.”
Fielder has developed a series of Black sci-fi superheroes to convey stories of empowerment or as Fielder expressed in his artist talk – “BLACK Ben Hurs”. Fielder considers himself an afroturism visual artist. His graphic designs and excerpts from his written work are currently on display at the Hammonds House Museum.
For me, the most interesting part of the exhibit is the context described on the exhibit labels. Fielder describes the highs and lows of his career. Examples of this includes the time he produced visuals and a story for the now defunct Marvel Music. Dr. Dre: Man With a Cold Heart featured rap pioneer Dr. Dre. When Marvel Comics declared bankruptcy the material was never published. Luckily, visitors can view this work at the Hammonds House museum.
Tim Fielder completed studies in New York at The School of Visual Arts. During that time he worked as a freelance editorial cartoonist for Village Voice. He also produced promotional material for entertainment venues.
A booklet titled Death Comes in Fours hangs near the “Alternative Cartooning” exhibit label. The last few pages are dedicated to advertisements. There you will see that members of the Fielder family once had a business operation in Georgia’s South DeKalb Mall.
Death Comes in Fours features characters inspired by Yoruba diety.
BLACK METROPOLIS exhibits 30 years of Tim Fielder’s work. In many ways, Fielder’s artist talk was something like an Afrofuturism 101. Below are a few notes taken during that discussion:
Click link to .PDF version of 250-page Catalogue, below:
Log onto cbusharlem100.com for a listing of Columbus, Ohio events that celebrate the Harlem Renaissance at 100