Opening in Nashville, Tennessee 2019 – National Music of African American Music

The National Museum of African American Music will open in Nashville Tennessee in 2019.

The museum is currently offering a series of lectures prior to opening the doors to their permanent home. A schedule can be found on their website nmaam.org

Unveiling of John Lewis Freedom Parkway and John Lewis Plaza Additions

Representative John Lewis pictured alongside (L-R) Atlanta City Council member Andre Dickens, Mayor Keisha Bottoms, media and others.
John Lewis Parkway Part I, before the unveiling.
John Lewis Parkway Part II, after the unveiling.
Atlanta Department of Public Works employees after placing their final touch on park grounds.
Clark Atlanta University Band Drum Major
Clark Atlanta University Band filing into John Lewis Freedom Plaza, site of the day’s ceremony.
Young children with caregivers as all await John Lewis’ scheduled 1 pm arrival.
Guidance on how to best use the latest addition, the John Lewis Ride to Freedom Play Space.
pictured is one of several civil rights regions featured along the Ride to Freedom Play Space. According to Monica Prothro additional signage will be installed before the end of the year. The signage will interpret civil rights history in various regions across the U.S.
“The Unveiling: John Lewis Freedom Parkway” program guide.

There were probably over a couple hundred people that came out to witness the definition of a significant moment in Atlanta history. The date, August 22nd 2018. Location, John Lewis Freedom Parkway and the corner of Ponce De Leon Ave NE. The occasion? Well, just a short time ago John Lewis Freedom Parkway was known as simply Freedom Parkway. But, in early December 2017 a resolution sponsored by Council member Andre Dickens, that called for a street name change from Freedom Parkway to John Lewis Freedom Parkway, was approved by Atlanta City Council. Following the approval, months of preparation went into changing the street name with a public, conspicuous display of admiration in Lewis’ honor. Also of note are changes in the process of being made to the existing John Lewis Plaza.

To start, imagine this —in comes one of the most notable Freedom Riders, John Lewis, on a MARTA bus designated for him, his family members, and other close supporters. With streets partially blocked, ushered in by a crew of public safety officers, the bus turns the corner… in it is Lewis and his selected bus passengers with their eyes locked on the crowd. From the MARTA bus windows they are getting their first glimpse of the amount of people that amassed to witness “the unveiling”.

Fast forward to Lewis exiting the bus. He was met by many who must have felt it was important to document that very moment in time. Whether it was a mobile phone or another digital recording device, more than not someone was working to capture an affecting image. Lewis worked his way from one end of the park to the other, surrounded by a crowd that could be described as a swarm (Note: I am curious to know if Representative Lewis felt any other way besides “in his element” while making his way alongside the crowd to the other end of the park). Just before reaching the main stage, accompanied by Councilmember Andre Dickens and Mayor Keisha Bottoms, Lewis was welcomed by the Clark Atlanta University (CAU) Band. The band performed a series of routines just as they did while the crowd awaited Lewis’ 1 pm arrival. Once the crowd settled, Dickens introduced the John Lewis Freedom Parkway task force members, other dignitaries, Mayor Keisha Bottoms, and finally John Lewis. Dickens shared that there was a connection between John Lewis and Freedom Parkway due to Lewis’ career long commitment to civil rights. Dickens shared that Freedom Parkway and Ponce De Leon Ave were the selected cross streets not just because of the original street name but also because the section remains the only highway in Atlanta that is solely a green space, void of business infrastructure.

Additionally, new features added to the already existing John Lewis Plaza, were unveiled. With the support of KaBoom, a children’s health awareness organization, the city was able to make upgrades to the park area. These changes were inspired by Lewis’ career in Civil Rights and public service, as well as his graphic novels, the Mark trilogy. Monica Prothro, Art Program Manager with the City of Atlanta shared that the Freedom Play Space is nearing completion. Additional interpretive signage and a bus honoring the Freedom Riders will be installed before year’s end.

John Lewis Freedom Parkway and additions to John Lewis Plaza are just two public spaces in Atlanta, named in honor of Representative John Lewis. During his speech, Lewis shared that he is personally championing a day when the human race can achieve solidarity. It is likely Lewis’ career long track record of working to fulfill such an ideal that has resulted in the City of Atlanta commitment to honoring his name and legacy. If you are interested in visiting a public space in Atlanta to connect with American, African American, and Civil Rights history know that John Lewis Plaza located at the corner of the newly renamed John Lewis Freedom Parkway and Ponce De Leon Northeast, is a good place to do so.

Soon come: African American Cultural Center in Virginia Beach

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Image 1: Afro American Cultural Center at Yale University, est 1969 //Image 2: conceptual plan of the African American Cultural Center in Virginia Beach.

Yale’s Afro American Cultural Center is recognized as the first of its kind at an Ivy League school and the largest in the Northeast. With years of providing a variety of cultural, spiritual, mentoring, and tutoring services, the current Afro American Cultural Center at Yale dean, Dean Risë Nelson is championing the development of the African American Cultural in Virginia Beach.

In a keynote speech given to those working to bring Virginia Beach’s cultural center to fruition, Dean Nelson shared the following: “We are always a part of the conversation on campus and in New Haven; we do not let ourselves become invisible; our calendar is chock-full of events to bring people in continually… we believe that the history and traditions of the African diaspora should be celebrated by all Americans and members of society; the welcome mat is always out.”

[source: The Virginian-Pilot]

Exhibit “Greensboro Lunch Counter Sit-Ins” – National Museum of American History

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“The Cutting Edge of Public History: New Directions in Interpretation” Conference got its start at the National Museum of American History.

Pictured is an exhibit, commemorating the Greensboro Lunch Counter Sit-Ins. In photograph 2, you may notice that the mirror which also doubles as a media player, captures the reflection of the National Museum of African-American History and Culture. Out of 120,000 square feet in the American History Museum, the lunch counter and accompanying mirror managed to find itself in a space that incorporates neighboring building National Museum of African American History and Culture in its narrative.

Do you think this was strategic exhibit planning or coincidence?

Via outline.com “ Say Goodbye to Your Happy Plantation Narrative”

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Photos by Zoe Beery

Full Story Via Outline.com

Pictured is Cheyney McKnight, an Atlanta native and founder of interpretation company, “Not Your Momma’s History”. Raised in a home that encouraged her to learn everything from Civil Rights to the Great Migration, McKnight would eventually go on to attain a political science degree from Simmons College.

Immediately after, she spent 3-years of independent study, traveling to archives and historical sites in NY, VA and Pennsylvania. Then she started participating in Living History Re-enactments, which can be defined as a portrayal of everyday activities such as cooking, cleaning, and medical care from a particular historical period. Her first re-enactment was during the 150th Anniversary of the Battle of Gettysburg. She portrayed a 22 year-old freewoman of color

McKnight is committed to influencing diversity in Living History interpretations. She recognizes the voice it can lend to contemporary movements such as Black Lives Matter.

Today, there is a small representation of Black Living Historians and she is committed to changing that. She is confident that in 10 years she will not be the only one doing this forecasting, “there will be 20 black women living historians just in New York” alone.