Martin Luther King, Sr. Heritage Trail

Pictured is a custom street pole banner which can be found along Georgia’s Stockbridge Main Street. One of 90+ Main Street programs in the state of Georgia, Stockbridge Main Street established the Martin Luther King, Sr. Heritage Trail in 2015.

Affectionately known as “Daddy King” Martin Luther King, Sr. was raised in Stockbridge, Georgia. As a youth he attended and would eventually teach his first sermon at Floyd Chapel Baptist Church (104 First St Stockbridge, GA). Regular Sunday services are held at the church 7:45 – 11 am.

There is a bridge in town, named Martin Luther King Sr. Bridge. City Hall has a commemorative plaque that details the King family’s connection to Stockbridge. 🖤#VisitBlackHistory ⚡️

AMOCO’s 1963 American Travelers Guide to Negro Monuments

The “American Travelers Guide to Negro Monuments” was published by American Oil Company also known as AMOCO, in 1963. AMOCO described it as a “guide to historical sites… that are usually not mentioned in conventional guidebooks…not often included in ordinary textbooks… and [AMOCO’s] contribution to the 100th anniversary of the Emancipation Proclamation”

Image 1: cover of American Travelers Guide to Negro Monuments

Image 2: Points of interest and portion of U.S. map

Image 3: page detailing Matthew Henson site in Maryland + Morgan State College’s (now Morgan State University) archival holdings of Henson, Benjamin Banneker, and Frederick Douglass artifacts

[source: Kenan Research Center]

#VisitBlackHistory

(Atlanta) Street Name Changes: John Wesley Dobbs

Doing a bit of research on street name changes, here’s an example || On August 16, 1993 Atlanta City Council approved Ordinance Number 93-0-1140 resulting in “Renaming Houston Street in its entirety to John Wesley Dobbs Avenue and for other purposes”

Image 1: John Wesley Dobbs Ave and Jackson Street NE

Image 2: full record of city ordinance which notes “John Wesley Dobbs was a champion of African American business and Civil Rights in Atlanta and the Nation.”

Image 3: City Council votes on ordinance.

Image 4: Notice of a public hearing listed in the Atlanta Journal Constitution.

John Wesley Dobbs (1881-1962) is Maynard Jackson’s (1938-2003) maternal grandfather. Jackson was the mayor of Atlanta when the ordinance was signed and the street renamed in his grandfather’s honor.

[source: ordinance records on file at Kenan Research Center]

(Atlanta) “With Drawn Arms: Glenn Kaino and Tommie Smith”

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5 pictures captured while exploring “With Drawn Arms: Glenn Kaino and Tommie Smith” at Atlanta’s High Museum of Art.

The entire exhibition is housed in 4 rooms. Images 1-4 were photographed in the temporary exhibit room labeled the Tommie Smith Archives. Tommie Smith and wife Delois, are said to have amassed and archived thousands of artifacts related to his life and career. The High Museum currently has on display a selection of photographs, news clippings, awards, and other material culture.

The Tommie Smith Archives is dedicated to artifacts while the rest of the exhibit features the work of conceptual artist, Glenn Kaino. Each of Kaino’s designs are inspired by Tommie Smith, the living legend.

Image 1: commemorative item from 1968 Mexico City Olympics.

Image 2: Published letter written by Shirley Graham DuBois, addressed to Tommie Smith. Mrs. DuBois was the wife of W.E.B. DuBois. The letter was printed with her permission in a publication entitled The Black Panther.

Image 3: Track and Field equipment.

Image 4: Tommie Smith achieving a world record title during his time at San Jose State University.

Image 5: The Bridge a conceptual piece created by Glenn Kaino. The 100 foot serpentine bridge is comprised of gold painted casts of Tommie Smith’s arm. There is a great amount of symbolism in this piece including it representing a “path connected to the past that leads forward to the present.”

National Museum of African American History and Culture Announces “Walk-Up Weekdays” January & February

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National Museum of African American History and Culture Announces 
Walk-Up Weekdays in January and February

            The Smithsonian’s National Museum of African American History and Culture has announced Walk-Up Weekdays in January and February. Individuals may enter the museum on a first-come, first-served basis Monday through Friday for the months of January and February 2019. Timed-entry passes for individuals will only be required on Saturdays and Sundays. Walk-up entry on weekdays is a as part of a continuing pilot to provide visitors unfettered access to the museum.

On Wednesday, Nov. 7, at 9 a.m. ET, the museum will distribute advance timed-entry passes for Saturdays and Sundays Feb. 2 and 3, 9 and 10, 16 and 17 and 23 and 24. Walk-Up Weekdays will continue in February 2019 and timed passes will not be distributed for weekdays (Mondays–Fridays). Individuals may enter the museum on a first-come, first-served basis on weekdays in February. Same-day online and walk-up passes will not be available nor necessary on weekdays in February. Group passes are required every day for groups of 10 or more. Timed passes for January have already been distributed and will be required only on Saturdays and Sundays in January.

Timed passes for every day in November and December have already been distributed. The options for visitors are same-day online passes and walk-up passes that will be available most afternoons in November and December.

To access timed passes visit nmaahc.si.edu/passes or call 844-750-3012.

About the National Museum of African American History and Culture  

            The National Museum of African American History and Culture has welcomed more than 4.5 million visitors since opening Sept. 24, 2016, on the National Mall in Washington, D.C. Occupying a prominent location next to the Washington Monument, the nearly 400,000-square-foot museum is the nation’s largest and most comprehensive cultural destination devoted exclusively to exploring, documenting and showcasing the African American story and its impact on American and world history. For more information about the museum, visit nmaahc.si.edu, follow @NMAAHC on Twitter, Facebook, Instagram and Snapchat—or call Smithsonian information at (202) 633-1000.

Wil Haygood Guest Curates Harlem Renaissance at 100 Exhibit

(Schools Out, 1936. Allan Rohan Crite. Oil on Canvas. Photo courtesy of Columbus Museum of Art)

(Ralph Deluca Collection of African American Vernacular Photography. Photo courtesy of Columbus Museum of Art)

(Ralph Deluca Collection of African American Vernacular Photography. Photo courtesy of Columbus Museum of Art)

(Jumping Jive, 1942. Norman Lewis. Oil on canvas. Photo courtesy of Columbus Museum of Art)

(Type Study, II – Two Public School Teachers, 1925. Winold Reiss. Pastel on Whatman Board. Photo courtesy of Columbus Museum of Art)

(Harlem Girl, 1925. Winold Reiss. Pencil, charcoal and pastels on heavy illustration board. Photo courtesy of Columbus Museum of Art)

(Gamin, 1930. Augusta Savage. Painted Plaster. Photo courtesy of Columbus Museum of Art)

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(I, Too, Sing America: The Harlem Renaissance at 100 writer and exhibition curator, Wil Haygood. Photo courtesy of Columbus Museum of Art)

Familiar with the motion picture The Butler? Acclaimed writer, Wil Haygood, authored the book that was turned into the award-winning movie.

In 2015, Columbus Museum of Art Executive Director Nannette V. Maciejunes invited Haygood, a Guggenheim and National Endowment for the Humanities Fellow, to curate an exhibition for the 100th anniversary of the Harlem Renaissance. This resulted in an exhibition and accompanying 250-page catalogue written by Haygood, entitled I, Too, Sing America: The Harlem Renaissance at 100.

Haygood grew up in the Bronzeville neighborhood of Columbus, Ohio and was a reporter for both the Boston Globe and the Washington Post. He has written books on notable subjects including Adam Clayton Powell, Jr., Thurgood Marshall, and Sugar Ray Robinson. As guest curator for the exhibit and supplementary book, Haygood researched and selected a series of “paintings, prints, sculpture, contemporary documents and ephemera” to illustrate “multiple facets of the era” and the “lives of its people, the art, literature, music, and social history.”

The works of Allen Rohan Crite, Romare Bearden, and Augusta Savage are included in the exhibition. The exhibition is open to the public at the Columbus Museum of Art, now through January 20, 2019.

Click link to .PDF version of 250-page Catalogue, below:

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Log onto cbusharlem100.com for a listing of Columbus, Ohio events that celebrate the Harlem Renaissance at 100

(Field Notes) Geronimo Knows: Louis Armstrong Park

#fieldnotes and photographs from @geronimoknows

Louis ”Satchmo” Armstrong is New Orleans’ most famous son. The legendary trumpeter was born 117 years ago in a section of the city once known as The Battlefield. Thick skin and heart were a prerequisite to survive there, but the challenges of Armstrong’s youth greatly added to the vibrancy of his music

Pictured is the gate to Louis Armstrong Park which sits on N. Rampart Street. A grand sight to see during the day or night. You’ll always find residents and tourists stopping to take photos in front of the archway.