Smithsonian’s National Portrait Gallery “One Year: 1968 An American Odyssey”

Photos: Courtesy of the Smithsonian’s National Portrait Gallery

(Washington, DC) In 1962 The Smithsonian’s National Portrait Gallery was established by an act of Congress as a “free public museum…depicting men and women who have made significant contributions to the history, development and culture…of the United States.” The Portrait Gallery opened to the public in 1968.

“One Year: 1968 An American Odyssey” celebrates the museum’s 50th anniversary in a one-room exhibition and is comprised of 30 objects including “photographs, paintings, drawings and magazines that highlight a time when Americans were questioning issues of leadership, citizenship and nationhood.” This temporary exhibition is on display through May 19, 2019

Image 1: Stokely Carmichael and H. Rap Brown by James Hinton, Jr

Image 2: Jimi Hendrix by unidentified artist; Image 3: Eldridge Cleaver by Stephen Shames

Image 4: Resurrection City in Washington DC by Oliver Atkins

Image 5: Gallery View

Poor People’s Campaign Exhibit at Ben & Jerry’s Factory

Pictured is National Museum of African American History and Culture curator, Dr. Aaron Bryant, walking alongside Ben & Jerry Ice Cream co-founder Jerry Greenfield. Dr. Bryant curated a display which depicts the 1968 Poor People’s Campaign “against racism, poverty, and militarism.” The exhibit was recently unveiled to the public and will be on display at Ben & Jerry’s factory in Waterbury, VT through Dec 31, 2018.

The Poor People’s Campaign (Poor People’s March on Washington) was organized by Dr. Martin Luther King, Jr and the Southern Christian Leadership Conference – the march was carried out by Ralph David Abernathy, Sr., after the passing of Dr. King. The march started in Marks, Mississippi on May 12 1968, concluding in Washington, DC 50 years ago today June 24, 1968.

Ben & Jerry’s factory in Waterbury, VT is the regions largest tourist attraction, welcoming around 400,000 visitors per year. Ben & Jerry’s CEO, Jostein Solheim shared “These issues are as pressing today as they were 50 years ago. We’re hoping these images will inspire people to join the [current] Poor People’s Campaign for racial and economic justice.”

[source: Cision PR Newswire]

Shaolin Jazz at the Smithsonian Anacostia Community Museum

The first time I visited the Smithsonian Anacostia Community Museum, which was probably back in ‘07, I knew the space was special. Tucked away in the community of Anacostia, miles from it’s other Smithsonian counterparts, it is one of the “quieter” museums. For those who have experienced the Smithsonian corridor located near the Washington Monument, you know the wait times to get into certain museums and exhibits can sometimes take hours, days, and weeks. But not the Anacostia Community Museum. Now, in no way shape or form is this a reflection of the quality of exhibits and programming that are being produced at the Smithsonian Anacostia Museum. The space continues to provide the intellectual value that founder John R. Kinard and company delivered years ago. Encouraging visitors to reflect on everything from DC’s environmental concerns to the history of the Gullah Geechee people. And in most cases when there is a special program like a film festival or exhibit opening night, the museum event space is standing room only. Yesterday was an example of that || Yesterday, while I was stuck in traffic, I decided to break up my drive and stretch my legs a bit by visiting the Anacostia Museum. I started out by viewing and making my mark on the @amandalburnham @cultural_dc installation “Block Watch”. Followed by catching a performance by @shaolinjazz then I finally took a self-guided tour of “A Right to the City”. And I’ll just say everything about Burnham’s Mobile Art Gallery, the museum’s exhibit design and the live music performance was amazing….here are a few clips from that experience ~”The Historian”

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Exhibit “Greensboro Lunch Counter Sit-Ins” – National Museum of American History

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“The Cutting Edge of Public History: New Directions in Interpretation” Conference got its start at the National Museum of American History.

Pictured is an exhibit, commemorating the Greensboro Lunch Counter Sit-Ins. In photograph 2, you may notice that the mirror which also doubles as a media player, captures the reflection of the National Museum of African-American History and Culture. Out of 120,000 square feet in the American History Museum, the lunch counter and accompanying mirror managed to find itself in a space that incorporates neighboring building National Museum of African American History and Culture in its narrative.

Do you think this was strategic exhibit planning or coincidence?

Via Washingtonian Magazine “Sorry You Can’t Go to This Amazing Secret Museum in Bethesda”

Via @TheMergingLanesProject

Washingtonian Magazine recently ran a story titled, “Sorry You Can’t Go to This Amazing Secret Museum in Bethesda”

This photo, shot by photographer Jeff Elkins, is of historian and author Al-Tony Gilmore. He is standing in front of event posters that he found in an Ohio junk shop. Gilmore has curated an invitation only museum dedicated to African American history.

Over the past few decades he has collected and filled his Bethesda Maryland home with over 7000 one of a kind treasures including “vintage movie posters, and important correspondence from black politicians and public figures.”

Closing Soon: Smithsonian American History Museum “Artifact Walls: Ella Fitzgerald at 100”

Original Story appeared @TheMergingLanesProject

Closing Soon (Washington, DC) American History Museum “Artifact Walls: Ella Fitzgerald at 100” through April 2, 2018.

“Photographs, sheet music, album covers and costumes from the celebrated crooners career”

[source: Where – Guide to Washington DC]

Just Added to Cultural & Natural Resource Directory: Washington DC African American Heritage Trail

Washington DC’s African American Heritage Trail has been added to our “Cultural & Natural Resource Directory”

In 2004 The Hecht Company building located at 7th and F street was renovated and renamed Terrell Place. It was named after Mary Church Terrell who in 1950-1951 at the age 80+, joined/maybe even lead others in picketing Hecht’s…demanding that the store integrate their segregated lunch counter.

“Bowing to pressure, in January 1952, Hecht’s announced that the entire store was open to all.”